About three and a half minutes longer than the five-minute original, it is one of many highlights on this revealing pair of discs. “Detroit Breakdown” rocks and grooves, with tons of audience applause…Wolfy and the polished authority of his monologues are in command as the band oozes into “Chimes” from 1973’s Ladies Invited. Sides one and two are great, and three and four are even better. Can you believe there is absolutely no overlap from the first or third live album on this double disc, which came in between (except for “Looking for a Love,” uncredited, which they slip into the intro of “Houseparty” on side two)? The Rhino CD contains Jeff Tamarkin’s liner notes, while the original Atlantic album has an exquisite gatefold chock-full of photos, and inner sleeves with priceless band memo stuff à la Grand Funk’s Live Album. Geils standards, and none of them overlap on the 1982 EMI single live disc, Showtime, chock-full of their latter-day classics. Here’s the beautiful dilemma with the Geils band: Live: Full House, recorded in Detroit in April of 1972, contains five songs that became J. There is great power in these grooves recorded over two nights, November 15 and November 19, at the now deconstructed Boston Garden and in Detroit at Cobo Hall. Geils Band released its second in-concert document in four years, Blow Your Face Out. (by wikipedia)ĭouble-album live sets came into vogue in 1976 after Peter Frampton’s sales went through the roof for A&M, Bob Seger found fame with Live Bullet on Capitol, and the J. The second was recorded by Metro Audio Detroit four nights later at Cobo Hall in Detroit, Michigan, where the band’s other two live albums “Live” Full House (1972) and Showtime! (1982) were also recorded. The first show was at the Boston Garden in the band’s hometown (Boston, Massachusetts) on November 15th, and recorded by Record Plant East Remote with David Hewitt. The album was recorded at two concerts held in November 1975. Blow Your Face Out is the eighth album (and second live album) by American rock band The J.
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